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Gibson has used other scale lengths on various models through the years. Gibson's nominal "24.75" in scale length has itself varied, sometimes measuring 24 + 5 ⁄ 8 or 24 + 9 ⁄ 16 inches (625 or 624 mm) depending on the production equipment used. [1] As Gibson necks are not typically interchangeable, this usually goes unnoticed in practice.
Octave mandolin scale length is typically about 20 inches (510 mm), although instruments with scales as short as 17 inches (430 mm) or as long as 21 inches (530 mm) are not unknown. The instrument has a variant off the coast of South America in Trinidad, where it is known as the bandol , a flat-backed instrument with four courses, the lower two ...
The scale of the mandocello is longer than that of the mandolin. Gibson examples have a scale length of 24.75" (62.87 cm) but flat-back designs have appeared with both significantly shorter and longer scale lengths (27"/68.58 cm on some Vega mandocellos). Bowl-back instruments may have a shorter scale length, on the order of 22.5" (about 57 cm).
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
The neck-scale length on a full-size mando-bass is similar to that of a standard orchestral double bass viol: about 43 inches (110 cm). [1] The instrument is otherwise similar to the smaller, higher-pitched members of the mandolin family, having a fretted neck, a headstock with geared tuning machines, and a large resonating body often—but not ...
Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, [3] including the F-5 model mandolin and L-5 guitar.
The scale length is also within the standard mandolin scale; between 13 inches (330 mm) and 13 + 7 ⁄ 8 inches (350 mm). They advertised using scientific principles to create vibrations, power and volume as well as sustained sweet and mellow tones, all in the same instrument.
The scale length of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19 inches (480 mm) to 24 inches (610 mm), with 21 inches (530 mm) being typical. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole.
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