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The review concluded that as a theoretical construct, postmodern urbanism "is relevant to planning and design theory insofar as it rejects modernist 'rational' planning." However, given that urban planning and design are grounded in practice, postmodern theoretical ideas offer "little insight that professionals can use." [216]
Postmodern psychology is an approach to psychology that questions whether an ultimate or singular version of truth is actually possible within its field. It challenges the modernist view of psychology as the science of the individual, [1] in favour of seeing humans as a cultural/communal product, dominated by language rather than by an inner self.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
In 1995, the landscape architect and urban planner Tom Turner issued a book-length call for a post-postmodern turn in urban planning. [13] Turner criticizes the postmodern credo of "anything goes" and suggests that "the built environment professions are witnessing the gradual dawn of a post-Postmodernism that seeks to temper reason with faith."
Michael Patrick Cronan (June 9, 1951 – January 1, 2013) [1] was an American graphic designer, brand strategist, adjunct professor, and fine art painter. He was one of the founders of the San Francisco Bay Area postmodern movement in graphic design, that later became known as the "Pacific Wave".
Postmodernism has received significant criticism for its lack of stable definition and meaning. The term marks a departure from modernism, and may refer to an epoch of human history (see Postmodernity), a set of movements, styles, and methods in art and architecture, or a broad range of scholarship, drawing influence from scholarly fields such as critical theory, post-structuralist philosophy ...
For Dempsey, what all forms of metamodernism have in common is the attempt to move beyond postmodernism by means of postmodernism—a move which requires progressively "decentering" from the postmodern vantage in order to reflect on it as an object of analysis (i.e., "going meta" on postmodernism). This reflective move creates a new orientation ...
Furthermore, an object may have extraneous functions independent of its composing attributes (postmodern theory); this potential supra-functionality is a key concern to hypermodernism's attempt to replace objects with attributes. Attributes, while having the functions of an object, are not building blocks toward an object in hypermodernism.