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[2] A catalogue raisonné is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work.
Agnes Bernice Martin RCA (March 22, 1912 – December 16, 2004) was an American abstract painter known for her minimalist style and abstract expressionism. [1] [2] Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950.
[1] [2] [3] An example is the Monet: Catalogue Raisonné (ISBN 978-3-8228-8559-8), which is a four volume set published in 1996 with 2,580 illustrations in 1,540 pages. In this set, volume I is a biography and volumes II-IV contain a chronological listing of Monet's work; that is to say, volume II contains Wildenstein Index No. 1 produced in ...
Agnes Martin's film is about water, about countryside, flowers, nature, and mystery.' [24] The art critic Rosalind Krauss wrote about the film in her essay for the catalogue of the 1993 retrospective of Agnes Martin’s work (at the Whitney Museum of American Art , New York).
One of the examples of an online catalogue raisonné listed in this article The Fidel Micó Catalogue Raisonné is a link to a PDF. I wonder if this is indeed an example of an online catalogue. 15:38, 25 April 2014 (UTC)Bentham2 — Preceding unsigned comment added by Bentham2 (talk • contribs)
Marie-Pauline Martin, also known as Sister Agnes of Jesus OCD (7 September 1861 – 28 July 1951) was a French Discalced Carmelite and Catholic prioress. She was notably an older sister of Saint Thérèse of Lisieux .
The following is the list of 145 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Claus Grimm in 1989. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own.
It is based on footage which director Leon d'Avigdor took when they met in 2002 in Taos, New Mexico, Martin's final place of residence. The first version was a 15-minute film which was shown for three months several times daily during the stop of the large 2015/2017 retrospective of the artist, organized by Tate Modern , at Kunstsammlung NRW in ...