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Goneril is a character in William Shakespeare's tragic play King Lear (1605). She is the eldest of King Lear's three daughters. Along with her sister Regan, Goneril is considered a villain, obsessed with power and overthrowing her elderly father as ruler of the kingdom of Britain.
While Regan suggests that they "hang him instantly," (3.7. 4), [3] Goneril orders that his eyes be plucked out. After Goneril and Edmund leave, Regan watches as her husband plucks out Gloucester's eyes. When a servant attempts to stop the Duke of Cornwall, Regan kills him. She then leads her wounded husband offstage, where he dies. After her ...
Regan, Goneril, Albany, and Edmund meet with their forces. Albany insists that they fight the French invaders but not harm Lear or Cordelia. The two sisters lust for Edmund, who has made promises to both. He considers the dilemma and plots the deaths of Albany, Lear, and Cordelia. Edgar gives Goneril's letter to Albany.
Shakespeare gave the old story a tragic ending.. In Shakespeare's version, Lear, King of Britain, is growing old, and decides to divide his kingdom among his three daughters – Goneril, wife of the Duke of Albany, Regan, wife of the Duke of Cornwall, and the youngest daughter, Cordelia, sought in marriage by the Duke of Burgundy and the King of France.
Regan is a unisex given name with multiple origins. It is a transferred use of the Irish surnames Regan and Reagan , which are Anglicized forms of Ó Riagáin, meaning ‘’descendant of Riagáin’’, a name of uncertain meaning. [ 1 ]
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
Romeo and Juliet: 1595–1596, with a possible early draft written in 1591 [13] [14] First published in 1597 in Q1 [15] First performed sometime between 1591 and March 1597 [16] Summary In Verona, Italy, two families, the Montagues and the Capulets, are in the midst of a bloody feud.
Gloucester's younger, illegitimate son is an opportunistic, short-sighted character [1] whose ambitions lead him to form a union with Goneril and Regan. The injustice of Edmund's situation fails to justify his subsequent actions, although at the opening of the play when Gloucester explains Edmund's illegitimacy (in his hearing) to Kent, with coarse jokes, the audience can initially feel ...