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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm.
Film director and critic François Truffaut in 1965. Even before auteur theory, the director was considered the most important influence on a film. In Germany, an early film theorist, Walter Julius Bloem, explained that since filmmaking is an art geared toward popular culture, a film's immediate influence, the director, is viewed as the artist, whereas an earlier contributor, like the ...
The New Wave dealt with a self-conscious rejection of traditional cinema structure, a topic on which Truffaut had been writing for years. Thomson writes that The 400 Blows "securely tied the new films to Renoir , Vigo , and the French tradition of location shooting, flowing camera, and offhand lyricism."
Some proponents of Cinema Novo were "scornful of the politics of the [French] New Wave", viewing its tendency to stylistically copy Hollywood as elitist. [6] But Cinema Novo filmmakers were largely attracted to French New Wave's use of auteur theory, which enabled directors to make low-budget films and develop personal fan bases.
The notion of film d'auteur was born in France in the 1950s when critics influenced by the theories of Louis Delluc, Alexandre Astruc and André Bazin, who constituted the following Nouvelle Vague – notably François Truffaut – called their wish a cinema breaking the academicism of their elders (for example Jean Delannoy and Claude Autant-Lara) and inspired by American filmmakers such as ...
The New Wave, French New Wave, or Nouvelle Vague, the inaugural New Wave cinema movement; Australian New Wave; Indian New Wave, or Parallel cinema; Japanese New Wave, or Nuberu Bagu, which also developed around the same time as the French Nouvelle Vague; Persian New Wave, or Iranian New Wave, started in the 1960s; New German Cinema, new wave of ...
In a conversation with fellow auteur Gregg Araki for Interview Magazine, Richard Linklater revealed that he hopes to shoot a movie in French, shot on location in Paris. Araki said to the director ...
The French New Wave movement continued into the 1960s. During the 1960s, the term "art film" began to be much more widely used in the United States than in Europe ...