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Modern biwa used for contemporary compositions often have five or more frets, and some have a doubled fourth string. The frets of the satsuma-biwa are raised 4 centimetres (1.6 in) from the neck allowing notes to be bent several steps higher, each one producing the instrument's characteristic sawari, or buzzing drone. Its boxwood plectrum is ...
Tsuruta specialized in the ancient pear-shaped plucked lute called the biwa, [1] and also sang. She developed her own form of the Satsuma biwa, [2] which is sometimes referred to as Tsuruta biwa. This biwa differs from the traditional Satsuma biwa in the number of frets, construction of the head, and occasionally a doubled 4th string.
The Tale of the Heike ' s origin cannot be reduced to a single creator. Like most epics (the work is an epic chronicle in prose rather than verse), it is the result of the conglomeration of differing versions passed down through an oral tradition by biwa-playing bards known as biwa hōshi.
Hidesato used a bow and arrow to kill a giant centipede wrapped around a mountain near Lake Biwa, fulfilling the request of a serpent at a bridge, which turned out to be a court lady (or Dragon King) from the underwater Ryūgū-jō (龍宮城) "Dragon Palace". The hero was entertained at the palace and received rewards including armor and sword ...
Akashi Kakuichi (明石 覚一, 1299 – 10 August 1371) also known as Akashi Kengyō (明石検校) was a Japanese Buddhist monk of the early Muromachi period of Japanese history, noted as the blind itinerant lute player (biwa hōshi) [1] who gave the epic Heike Monogatari its present form.
The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi). The root of Biwa music was The Tale of the Heike. [7] Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed]
The Biwa-bokuboku was modeled after the biwa (琵琶), a short-necked, wooden lute. Toriyama Sekien reports in his work Hyakki Tsurezure Bukuro (百器徒然袋) that the biwa was designed after Chinese instruments such as the bokuma and the genjō. [1] [2] [3] The Biwa-bokuboku belongs to a special group of yōkai: the Tsukumogami (Japanese ...
Biwa hōshi (琵琶法師), also known as "lute priests", were travelling performers in the era of Japanese history preceding the Meiji period. They earned their income by reciting vocal literature to the accompaniment of biwa music. Biwa hōshi were mostly blind, and adopted the shaved heads and robes common to Buddhist monks.