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Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 1914 (Nr. 316613). The label was founded as Firma Brachhausen & Riesener in 1887 by Gustav Adolf Brachhausen and Ernst Paul Riessner, for manufacturing their new mechanical disc-playing music box Polyphon, invented in 1870. [3]
"Overground" is a song by English rock band Siouxsie and the Banshees. It was originally featured on their debut studio album, The Scream (1978). The band re-recorded the track with elaborate, lush orchestral instrumentation with a flamenco acoustic guitar for its inclusion on the four-track extended play The Thorn (1984).
Isle of Wight is a posthumous live album by Jimi Hendrix, released in November 1971 by Polydor in the UK and Europe. [1] It documents some of Hendrix's performance at the Isle of Wight Festival on August 31, 1970, his last official performance in England before his death less than three weeks later on September 18, 1970.
The track was released on Polydor Records in the UK in April 1966. [3] The track was produced by co-writer Richard Morris and Al Kent, using the popular elements of the Motown Sound. [4] It was Starr's third consecutive chart hit, following on from his earlier releases of "Agent OO Soul" and "Back Street".
All Time Low (Polydor UK) The Amboy Dukes; Thomas Anders; Jon Anderson; Angels and Airwaves (Polydor UK) Die Antwoord (Polydor UK) Paul Anka; Army of Lovers (Polydor UK) Art of Noise (China/Polydor) Appleton; Asia; Athlete (Polydor UK) Atlanta Rhythm Section; Audience; Audioslave (Polydor UK, shared with Sony Music Entertainment) The Automatic ...
Official music videos were recorded for the album's two singles, "Love Me Tonight" and "Without Your Love" and the album was promoted moderately by Polydor. The album was met with lukewarm reception and the band would disband in 1980 after recording a second studio album, Worlds Apart .
Emergency! was originally released in 1969 by Polydor/PolyGram Records, [15] receiving widespread acclaim from major American publications. [16] In a contemporary review for The Village Voice, Robert Christgau hailed Williams as "probably the best drummer in the world" and was astonished by the album, [14] calling it "a frank extrapolation on the most raucous qualities of new thing jazz and ...