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"El Son de la Negra" (lit. The Song of the Black Woman) is a Mexican folk song, originally from Tepic, Nayarit, [1] before its separation from the state of Jalisco, and best known from an adaptation by Jalisciense musical composer Blas Galindo in 1940 for his suite Sones de mariachi.
Seis canciones castellanas is a collection of 6 songs for voice and piano by Spanish Basque composer Jesús Guridi. They were inspired by traditional songs collected by Cesáreo Garda in Candeleda in 1936 for the movie La malquerida (based on the 1913 play of the same title by Jacinto Benavente ).
Gracias Por La Música saw numerous CD issues in the 1980s including releases in Japan in 1986 (on Polydor), Spain in 1989 (on RCA), and a rare CBS Records issue of an unknown date. The album was deleted in most territories after the compilation CD ABBA Oro: Grandes Exitos , which contained the ten tracks of Gracias Por La Música , was ...
The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, [3] [4] around 1900. [5] It was influenced by the bomba style of music. [citation needed] Originally, sung texts were not associated with the plena, which was rendered by guitar, accordion and pandero, but eventually, in 1907, [citation needed] singing was added.
Cinco Piezas Infantiles (1928) Tres viejos aires de danza (1929; first performance on 20 January 1930 by the Orquesta Sinfónica de Valencia conducted by José Manuel Izquierdo) Dos miniaturas andaluzas (1929; first performance on 22 November 1999 at the Palau de la Música de Valencia, Spain, by the Orquesta de Cámara Joaquín Rodrigo)