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The Via Labicana statue of Augustus. The Via Labicana statue of Augustus, closeup. The Via Labicana Augustus is a sculpture of the Roman emperor Augustus as Pontifex Maximus, with his head veiled for a sacrifice. [1] [2] [3] The statue is dated as having been made after 12 BCE. It was found on slopes of the Oppian Hill, in the Via Labicana, in 1910
Augustus as pontifex maximus (Via Labicana Augustus) <-The pontifex maximus (Latin for "supreme pontiff" [1] [2] [3]) was the chief high priest of the College of Pontiffs (Collegium Pontificum) in ancient Rome. This was the most important position in the ancient Roman religion, open only to patricians until 254 BC, when a plebeian first held ...
Conversely, the statues of Augustus of Prima Porta and of Via Labicana Augustus have a composure reminiscent of Polykleitos and the other classical Greek sculptors. These show an expression of proud reserve, a disposition Augustus demonstrated in his Res Gestae Divi Augusti. The official iconography of Augustus was widespread.
A statue of Augustus as pontifex maximus found at a villa of Livia on this road is known as the "Via Labicana type" and is housed at the National Roman Museum. The Roman Emperor Didius Julianus was buried by the fifth milestone on the Via Labicana, after being executed in 193.
In 1256, Pope Alexander IV had the martyrs' relics translated to the recently rebuilt Santi Marcellino e Pietro al Laterano at the intersection of Via Labicana with Via Merulana. Partly reusing its ruins, between 1632 and 1638, under Pope Urban VIII , a small Baroque church was erected dedicated to the two saints was built inside the mausoleum ...
The Deeds of the Divine Augustus) is a monumental inscription composed by the first Roman emperor, Augustus, giving a first-person record of his life and accomplishments. [1] The Res Gestae is especially significant because it gives an insight into the image Augustus presented to the Roman people.
Augustus's public revenue reforms had a great impact on the subsequent success of the Empire. Augustus brought a far greater portion of the Empire's expanded land base under consistent, direct taxation from Rome, instead of exacting varying, intermittent, and somewhat arbitrary tributes from each local province as Augustus's predecessors had done.
The Palazzo Massimo alle Terme is the main of the four sites of the Roman National Museum, along with the original site of the Baths of Diocletian, which currently houses the epigraphic and protohistoric section, Palazzo Altemps, home to the Renaissance collections of ancient sculpture, and the Crypta Balbi, home to the early medieval collection.