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Fra Angelico, O.P. (/ f r ɑː æ n ˈ dʒ ɛ l ɪ k oʊ /; [1] Italian: [fra anˈdʒɛliko]; born Guido di Pietro; c. 1395 [2] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [3]
The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
Pages in category "Fresco paintings in the Museo Nazionale di San Marco" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes .
The Annunciation of Cortona was painted by Fra Angelico in 1433–1434, in tempera on panel, 175 cm x 180 cm. [1]. This is one of three Annunciations by Fra Angelico on panel (the other two are in the Prado Museum, and the Museo della Basilica di Santa Maria delle Grazie, in San Giovanni Valdarno.
The work was painted for a side altar in the Convent of San Domenico, Fiesole, where Fra Angelico was a friar.For the same church he also contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre (c. 1424–1435) .
Above the entrance door is a badly deteriorated fresco by Fra Angelico depicting Christ in Pietà, alluding to the Resurrection awaiting those who nourished by him. Today the room contains works presenting the artistic activity of the second great painter who lived in San Marco at the beginning of the 16th century: Fra Bartolomeo .
Adoration of the Magi by Fra Angelico in San Marco (c. 1441-1442) The Adoration of the Magi in San Marco is a fresco by Fra Angelico in a double cell used by Cosimo de' Medici, created c. 1441-1442. [1] The paintings in the double cell differ in some respects from Fra Angelico's frescos in others cells.
Fra Angelico planned the San Marco Altarpiece's iconography around Dominican themes. Within the painting, Angelico references practices of the Dominican Mass. Just as the deacon and subdeacon knelt while helping the Dominican priest during Mass, [10] Saints Cosmas and Damian kneel in this altarpiece. The priest would also stand in the center of ...