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Columbia Pictures (CST Entertainment Imaging, Inc. [327] Hog Wild: 1930: 1992: Cabin Fever Entertainment [328] Holiday: 1938: 1996: Columbia Pictures (CST Entertainment Imaging, Inc.) [329] Holiday Affair: 1949: 1993: Turner Entertainment [330] Holiday Inn: 1942: 2008: Universal Pictures (Legend Films) [331] Honduras Hurricane: 1938: 1988 ...
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
The director of photography for Seconds was James Wong Howe, who pioneered novel techniques in black-and-white cinematography and whose career spanned nearly five decades. While shooting the sequences inside the company's headquarters (which were constructed on the Paramount Studios lot), Howe employed an innovative system featuring "complete ...
A hand-coloured daguerreotype by J. Garnier, c. 1850. Hand-colouring (or hand-coloring) refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. [1] Hand-colouring is also known as hand painting or overpainting.
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Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
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