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Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.
The painting depicts the moment when the resurrected but incognito Jesus reveals himself to two of his disciples (presumed to be Luke and Cleopas) in the town of Emmaus, only to soon vanish from their sight (Gospel of Luke 24: 30–31). Cleopas wears the scallop shell of a pilgrim. The other apostle wears torn clothes.
Fractio Panis (English: Breaking of Bread) is the name given to a fresco in the Greek Chapel (Capella Greca) in the Catacomb of Priscilla, situated on the Via Salaria Nova in Rome. The fresco depicts seven persons at a table, possibly all women, due to the long skirts (men's wouldn't come past the calf), veil, and all of their upswept hair.
Calvin also believed that the acts of Jesus at the Last Supper should be followed as an example, stating that just as Jesus gave thanks to the Father before breaking the bread, [83] those who go to the Lord's table to receive the sacrament of the Eucharist must give thanks for the "boundless love of God" and celebrate the sacrament with both ...
The Last Supper shows images of Jesus and the Apostles sitting around a pronent dining table in the shape of a U. [1] Disciples converse, and both Judas and John lean toward Jesus, as is tradition. [1] Jesus is shown near the center, with his right hand raised and index and middle fingers together, which is an archetypal gesture of bestowed ...
The last episode, far less commonly shown, is the Farewell Discourse, the farewell of Jesus to his disciples. By this point Judas Iscariot is no longer present, having left the supper; it is mostly found in Italian trecento painting. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. [1]
The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous ...
The Hands of Caravaggio, an album from 2001 by electro-acoustic improvisation group M.I.M.E.O. was inspired by the painting. The painting was the subject of a special Easter program in 2009 in the BBC series The Private Life of a Masterpiece. Mel Gibson said that the cinematography in The Passion of the Christ aimed to imitate Caravaggio's ...