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Giddins speaking at an American Library Association conference in Chicago, 2009.. Gary Giddins (born 1948) is an American jazz critic and author. [1] He wrote for The Village Voice from 1973; [1] his "Weather Bird" column ended in 2003. [2]
In January 2021, a new original story — the first one in two-and-a-half years — was published on the website of The Village Voice. [48] On April 17, 2021, the Spring 2021 issue of The Village Voice appeared in news boxes and on newsstands for the first time since 2018. At the time, The Village Voice was a quarterly publication. [4]
Wolf founded the Village Voice on October 26, 1955 with the novelist Norman Mailer and Edwin Fancher, a former truck driver who trained as a psychologist. [7] They started the newspaper with $10,000 and no journalism experience, with Fancher as the publisher, Wolf as the editor-in-chief, and Mailer as a silent partner who supplied most of the capital, following the success of The Naked and the ...
Best known as a columnist for The Village Voice, where he wrote the La Dolce Musto column of gossip, nightlife, reviews, interviews, and political observations, in 2021, he started writing articles about nightlife, movies, theater, NYC, and LGBTQ politics for the revived Village Voice, which returned as a print publication, with accompanying ...
Davis was born in Philadelphia. [1] He attended Temple University (1964–69); he emerged in the early 1980s as the jazz critic for The Philadelphia Inquirer. [2] Along with his jazz writing he has tackled a wide variety of subjects, such as Seinfeld and Johnny Cash, for whom he published what many fans consider the definitive appreciation, in The Atlantic Monthly.
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[4] [5] Smith was hired by Village Voice co-founder Dan Wolf and continued to write for them until 1989. [6] During the Village Voice's early and formative years, his column, "Scenes", with its reporting on the emerging counterculture, became a part of the paper's groundbreaking new journalism. The column ran weekly for twenty years and became ...
In the late 1960s and 1970s, she was the first pop music critic for the New Yorker, and later wrote for, among others, the Village Voice, The Nation, Rolling Stone, Slate, and Salon, as well as Dissent, where she was also on the editorial board. She was the author of several books of collected essays.