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The Complete Works of Friedrich Nietzsche, Volume 15. Translation: Paul S. Loeb and David F. Tinsley (Stanford, California: Stanford University Press, 2022). Hardcover ISBN 978-0-8047-2888-1. Paperback ISBN 978-1-5036-2970-7; Unpublished Fragments (Spring 1885-Spring 1886). The Complete Works of Friedrich Nietzsche, Volume 16.
The sonata is widely viewed as one of the most important works of the composer's third period, a pivotal work between his third and late period, [1] and among the greatest piano sonatas of all time. It is also considered to be Beethoven's most technically challenging piano composition and one of the most demanding solo works in the classical ...
This collection he referred to as "The Songs of Zarathustra". They were written over a period from 1883 to 1888. Nietzsche intended this poem to be published at the end of Nietzsche contra Wagner; then changed his mind, and removed it from there, and included it in Dionysus-Dithyrambs. "On the Poverty of the Richest" expresses and explores his ...
Praise for Creation and Providence" (better known as "I sing the mighty power of God") is now a hymn sung by all ages. [4] "Against Idleness and Mischief" and "The Sluggard" (better known as "How doth the little busy bee" and "'Tis the voice of the sluggard") were both meant to teach children the importance of hard work, and were extremely well ...
Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] ⓘ, Thus Spoke Zarathustra or Thus Spake Zarathustra) [1] is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. [2]
The Piano Sonata No. 18 in E ♭ major, Op. 31, No. 3, is an 1802 sonata for solo piano by Ludwig van Beethoven. A third party gave the piece the nickname "The Hunt" due to one of its themes' resemblance to a horn call. [ 1 ]
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
"Down to You" uses a verse-bridge structure. [2] It is in the keys of D major and E major. [2] It begins with Mitchell playing a solo piano introduction. [3] The theme of the song is the need to either change your life or take responsibility for it, since "it all comes down to you."
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