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Faust and the Earth Spirit: A sequence of paintings with agitated rhythm and tangled webs of black paint over layers of red and yellow colors depicting scenes of dim enclosures and various gothic settings that provide the ground for the appearance of figures representing Faust, Mephistopheles, and various characters, metamorphosis, and symbols ...
Scene from Faust The Cotta publishing house commissioned illustrations for Johann Wolfgang Goethe 's Faust (26 plates), which made him financially independent. Goethe liked his work, and he illustrated works by other famous authors, most notably Friedrich Schiller 's Lied von der Glocke (43 plates), a Shakespeare Gallery (80 plates), and ...
Painting Andrea Mantegna: St. Sebastian: Painting Andrea Mantegna: An Old Man and his Grandson: Painting Domenico Ghirlandaio: Pastoral Concert: Painting Titian: Madonna of the Rabbit: Painting Titian: Woman with a Mirror: Painting Titian: Venus and Cupid with a Satyr: Painting Antonio da Correggio: Susanna and the Elders: Painting Tintoretto ...
The collection contains roughly 5,500 paintings by 1,400 artists born before 1900, and over 500 named artists are French by birth. For painters with more than two works in the collection, or for paintings by unnamed and unknown artists, see the Louvre website.
Mephistopheles and Margaretta is a 19th-century wooden double sculpture featuring two images carved on opposite sides; it portrays two characters from German playwright Johann Wolfgang von Goethe's 1808 play Faust. The obverse depicts the demon Mephistopheles, and the reverse depicts a woman, Margaretta (Margaret, or Gretchen). A mirror placed ...
Doktor Johannes Faust, Op. 47 (1936, revised 1955) Don Juan und Faust, Op. 75 (1950) Douglas Moore's The Devil and Daniel Webster (1938) Gertrude Stein's Doctor Faustus Lights the Lights (1938 libretto) Igor Stravinsky's The Rake's Progress (1951) Hanns Eisler's Johann Faustus (1952 libretto) Havergal Brian's Faust (1955–56)
The painting, which dates from 1280, went on to fetch almost 24.2 million euros ($26.8 million) at auction in October 2019, more than four times the pre-sale estimate.
By 1667, the painting was placed in the Louvre by Louis XIV. Questions have arisen in the past as to whether the painting was executed by Raphael or by his apprentice Giulio Romano. It was atypical for Raphael to use color in such a manner. Combining orange, yellow, and gold to create a metallic finish was not typically found in his paintings.