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Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Vision of the Apocalypse, also known as The Revelation of John the Evangelist, is a tempera painting by Thomas Bathas. The massive icon is over four hundred years old. Bathas was from the island of Crete. He was a painter active during the second half of the 16th century. He was active in Heraklion, Venice, and Corfu.
Wax seals were typically placed across the opening of a scroll, [7] so that it was known to be authored by the proper person, when the document was opened in the presence of witnesses. [6] This type of "seal" is frequently used in a figurative sense, in the book of Revelation, [8] and only the Lamb is worthy to break off these seals. [6]
John of Patmos (also called John the Revelator, John the Divine, John the Theologian; Ancient Greek: Ἰωάννης ὁ Θεολόγος, romanized: Iōannēs ho Theologos) is the name traditionally given to the author of the Book of Revelation. Revelation 1:9 states that John was on Patmos, [1] an Aegean island off the coast of Roman Asia ...
— Revelation 6:7–8 (New American Standard Bible) [46] The fourth and final Horseman is named Death (Greek: Θᾰ́νᾰτος, Thánatos , Latin: Mŏrs or Thanatus ). Death , known in Latin as Mŏrs and in Greek as Thánatos (Θᾰ́νᾰτος), [ 47 ] of all the riders, he is the only one to whom the text itself explicitly gives a name.
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The red Dragon spoken of in Revelation 12:3 – "And there appeared a great wonder in heaven; and behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads" [90] – are interpreted as symbolic of the seven provinces dominated by the Umayyads: Damascus, Persia, Arabia, Egypt, Africa, Andalusia, and Transoxania ...