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Paganini Variations, Book I, Book II: Scores at the International Music Score Library Project; Beggerow, Alan (January 23, 2014). "Brahms - Studies For Pianoforte, Variations On A Theme Of Paganini Opus 35". Musical Musings Blog. Hansen, Kelly Dean (January 9, 2009). "Opus 35 Listening Guide - Variations on a theme of Paganini (Studies for Piano)".
James Barnes: Fantasy Variations on a Theme by Niccolò Paganini (concert band; the theme is the Caprice No. 24) Boris Blacher: Variations on a Theme by Paganini (orchestra; 1947) Hans Bottermund: Variations on a Theme by Paganini (solo cello) Johannes Brahms: Variations on a Theme of Paganini, Op. 35 (piano; 1863)
Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano; Sergei Rachmaninoff – Rhapsody on a Theme of Paganini, Op. 43 (1934), a set of 24 variations for piano and orchestra; George Rochberg – 50 Caprice Variations for solo violin (1970)
A. 1b/1-36: Various performance materials to works by other composers see [6] for list A. 2a/1-29: Various lost works see [6] for list A. 2b/1-7: Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms
The Variations retain most of Paganini's original material for solo violin. [1] As Paganini's original composition, it is structured as a theme with variations, presenting the theme, a total of twelve variations, and a final coda. The additional twelfth variation before the coda is Lutosławski's only structural alteration in the piece.
Though Brahms often wrote music without an explicit or public program, [83] in his Symphony No. 4 alone he musically alluded to the second movement of Beethoven's Symphony No. 5, the texted chaconne of Bach's Cantata No. 150, and to Schumann's music, from musical cryptograms of Clara to the Fantasie in C with its use of Beethoven's An die ferne ...
The Fantasies (German Fantasien), Op. 116 for solo piano were composed by Johannes Brahms in the Austrian town of Bad Ischl during the summer of 1892. [1] The set consists of seven pieces entitled Capriccio or Intermezzo, though Brahms originally considered using "Notturno" for No. 4 and "Intermezzo" for No. 7. [2]
The set was the penultimate of Brahms's published works. It was also his penultimate work for piano solo. The pieces are frequently performed. Like Brahms's other late keyboard works, Op. 118 is more introspective than his earlier piano pieces, which tend to be more virtuosic in character. The six pieces are: Intermezzo in A minor.