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Paganini Variations, Book I, Book II: Scores at the International Music Score Library Project; Beggerow, Alan (January 23, 2014). "Brahms - Studies For Pianoforte, Variations On A Theme Of Paganini Opus 35". Musical Musings Blog. Hansen, Kelly Dean (January 9, 2009). "Opus 35 Listening Guide - Variations on a theme of Paganini (Studies for Piano)".
Konstantin Sorokin: Variations on a Theme by Paganini, Op. 62 No. 8 (piano) Sir George Thalben-Ball: Variations on a Theme by Paganini (pedal keyboard) Philip Wilby: Paganini Variations (wind band; brass band) August Wilhelmj: Einleitung, Thema mit Variationen nach Niccolo Paganini; Rob Zuidam: Variations on a thema of Paganini (violin-solo)
The Variations retain most of Paganini's original material for solo violin. [1] As Paganini's original composition, it is structured as a theme with variations, presenting the theme, a total of twelve variations, and a final coda. The additional twelfth variation before the coda is Lutosławski's only structural alteration in the piece.
A. 5a/1-3: Various collections of folk songs, notated by Brahms see [6] for list A. 5a/4-21: Various transcripts of other composers' works, notated by Brahms see [6] for list A. 5b/1-3: Various autograph text collections see [6] for list A. 6/1-19: Various works by other composers, edited by Brahms see [6] for list
Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano; Sergei Rachmaninoff – Rhapsody on a Theme of Paganini, Op. 43 (1934), a set of 24 variations for piano and orchestra; George Rochberg – 50 Caprice Variations for solo violin (1970)
Johannes Brahms (/ b r ɑː m z /; German: [joˈhanəs ˈbʁaːms] ⓘ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period.
[1] [2] The second movement is a theme and variations inspired by the song Verstohlen geht der Mond auf. Brahms was to rewrite it for female chorus in 1859 (WoO 38/20). The third movement is a scherzo and trio. The fourth is a loose rondo whose theme is noticeably changed at every recurrence. It is highly technically demanding on the performer ...
In 1850 Brahms met the Hungarian violinist Ede Reményi and accompanied him in a number of recitals over the next few years. This was his introduction to "gypsy-style" music such as the csárdás, which was later to prove the foundation of his most lucrative and popular compositions, the two sets of Hungarian Dances (published 1869 and 1880 ...