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Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
"Narrative audience" (= imitation audience which also possesses particular knowledge) "Ideal narrative audience" (= uncritical audience who accepts what the narrator is saying) Rabinowitz suggests that "In the proper reading of a novel, then, events which are portrayed must be treated as both 'true' and 'untrue' at the same time.
First-person narration may sometimes include an embedded or implied audience of one or more people. [15] The story may be told by a person directly undergoing the events in the story without being aware of conveying that experience to readers; alternatively, the narrator may be conscious of telling the story to a given audience, perhaps at a ...
People who love to read *really* love to read, by which we mean bookworms are typically very passionate about the written word. It makes sense, then, that there are a whole bunch of poignant ...
Two Girls Reading by Pierre-Auguste Renoir. Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author, content, or form of the work.
In 1975 real-world author Philip José Farmer wrote a science-fiction novel called Venus on the Half-Shell, published under the name Kilgore Trout. Captain Proton: Defender of the Earth, a story by Dean Wesley Smith, was adapted from the holonovel Captain Proton in the Star Trek universe. One unique example is the Tyler Perry comedy/horror hit Boo!
A solo performance, sometimes referred to as a one-man show, one-woman show, or one-person show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music ...
Homo unius libri ('(a) man of one book') is a Latin phrase attributed to Thomas Aquinas by bishop Jeremy Taylor (1613–1667), who claimed that Aquinas is reputed to have employed the phrase "hominem unius libri timeo" ('I fear the man of a single book'). The poet Robert Southey recalled the tradition in which the quotation became embedded: