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The War Requiem, Op. 66, is a choral and orchestral composition by Benjamin Britten, composed mostly in 1961 and completed in January 1962. [1] The War Requiem was performed for the consecration of the new Coventry Cathedral, in the English county of Warwickshire, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid.
Britten's War Requiem (1963) is the first recording of Benjamin Britten's War Requiem. It featured Galina Vishnevskaya , Dietrich Fischer-Dieskau and Peter Pears with the London Symphony Orchestra , the Melos Ensemble , The Bach Choir and the Highgate School Choir, and was conducted by Britten himself.
From 1958 Britten conducted Decca recordings of many of his operas and vocal and orchestral works, including the Nocturne (1959), the Spring Symphony (1960) and the War Requiem (1963). [234] The last sold in unexpectedly large numbers for a classical set, and thereafter Decca unstintingly made resources available to Culshaw and his successors ...
Op. 64, A Midsummer Night's Dream, opera (libretto by Benjamin Britten and Peter Pears, after William Shakespeare), 1960 Op. 65 , Sonata for cello and piano, 1961 Op. 66 , War Requiem , 1961
The canticle was recorded in 2012 by tenor Nicholas Phan and harpist Sivan Magen in a collection of vocal music by Britten. A reviewer for MusicWeb International stated his dislike for "Eliot's insufferable poem" and the degree to which he felt the score exemplified "the aridity that haunts much of the music composed towards the end of Britten ...
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The Tema "Sacher" is a composition for solo cello by Benjamin Britten.He composed it between December 1975 and January 1976. It resulted from a request by the cellist Mstislav Rostropovich, who sought to assemble a collaborative musical work from various composers to commemorate the seventieth birthday of the music patron Paul Sacher.
A Child of Our Time has survived periods of indifference, particularly in America, to be ranked alongside Britten's War Requiem as one of the most frequently performed large-scale choral works of the post-Second World War period. [47]
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