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Here, see 13 of the best Halloween-themed songs to get in a scary mood this spooky season, according to a PEOPLE staffer.
"Spooky, Scary Skeletons" is a Halloween song by American musician Andrew Gold, first released on his 1996 album Halloween Howls: Fun & Scary Music. [2] Since the 2010s, the song has received a resurgence in popularity online as an Internet meme. [2] [3] In 2013, The Living Tombstone created a dubstep remix of the song.
Blues music influenced Halloween songs such as "I Put a Spell on You". [3] In the 1950s and 1960s, various doo-wop groups, groups influenced by blues music, began to release novelty Halloween-themed songs. "Monster Mash" is an example of such a novelty doo-wop Halloween song. Despite its Halloween themes, doo-wop Halloween music from this era ...
Scary Monsters and Nice Sprites is the second extended play (EP) by American electronic music producer Skrillex.It was released exclusively through Beatport on October 22, 2010, through mau5trap and Big Beat Records, while being released on December 20 for digital download via other online retailers and on March 1, 2011, as a physical release.
The following are songs which deal directly with Halloween, or deal with related themes and have appeared on a widely released Halloween compilation album. Subcategories This category has the following 4 subcategories, out of 4 total.
"Scary Monsters and Nice Sprites" has been described as a dubstep and brostep song. [5] [6] It is in the key of B♭ Major and has a speed of 140 beats per minute. [5]Kat Bein of Billboard said that the track is "an aural sleight of hand"; though it begins with a high-pitched, "serpentine melody" and "pleasantly fragmented vocal samples", it takes a sharp and surprising turn when the drop ...
"Haunted" is 4 minutes and 2 seconds long. [17] It has an orchestral arrangement [18] containing sweeping violins, [19] tense accents, and dramatic countermelodies. [20] The production incorporates an alternating eighth-note line in the orchestral strings and the song's lead electric guitar, both of which mix to create an unabashed composite instrumental riff. [18]
The song from 1929 is so upbeat and saccharine it can easily sound creepy when performed in a certain way. Paley's rendition of the tune sounded more operatic than the original. The echo only made ...
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