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Carl Almenräder (3 October 1786 – 14 September 1843) was a German bassoonist, inventor and composer.. The design of the modern bassoon owes a great deal to Almenräder, who, assisted by the German acoustics researcher Gottfried Weber developed the 17-key bassoon whose range spanned three octaves and a half.
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
Starting in the 1970s, Carvin developed a niche in the musical instrument world by selling directly to the public via mail order. In the late 1970s, Carvin began the production of their own instrument parts and expanded their product lines to include professional audio gear, amps, recording equipment, lighting, and other stage and studio equipment.
Adolphe began to make his own instruments at an early age, entering two of his flutes and a clarinet into a competition at the age of 15. He subsequently studied performance on those two instruments as well as voice at the Royal Conservatory of Brussels. [4] [5] Sax faced many brushes with death.
It created new marketing opportunities, as manufacturers could now get the foremost pianists and composers of the day to record their performances on a piano roll. This allowed owners of player pianos to experience a professional performance in their own homes on their own instruments, exactly as the original pianist had played it.
Roxburgh has contributed significantly to the chamber music repertoire of his own instrument, the oboe. He composed Aulodie (1977) and Antares (1988) to mark the 80th and 90th birthdays of Léon Goossens, while Elegy (1982) was dedicated the memory of Janet Craxton. [10] Christopher Redgate has recorded a disc of chamber music for the oboe. [11]
Mainly written for his own instrument, White's output comprised some 30 works, including a virtuosic Violin Concerto in F♯ Minor, recorded in 1975 by Aaron Rosand and in 1997 by Rachel Barton Pine. [ 5 ] [ 6 ] Other works include La Bella Cubana (a habanera for two violins and orchestra), La Jota Aragonesa (Op.5), and several sets of violin ...
As a composer, Lamothe wrote exclusively for his own instrument, and became known especially for his songs and short piano pieces. [3] Lamothe's repertoire included a range of méringue, from the most formal, elite-oriented forms to the méringue of the low orders. [1]
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