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Her most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin.This latter work, commissioned for the Irish Government's Pavilion, won first prize [9] for stained glass in the 1939 New York World's Fair.
The two Margaret Ropes were first cousins, granddaughters of George Rope of Grove Farm, Blaxhall, Suffolk (1814-1912) and his wife Anne (née Pope) (1821-1882). The elder Margaret Rope, Margaret Agnes Rope, was the second child of Henry John Rope, M.D (1847-1899) and Agnes Maud (née Burd: 1857- 1948).
Wilhelmina Margaret Geddes was born on her maternal grandparent's farm at Drumreilly Cottage in Leitrim on 25 May 1887. [2] She was the eldest of four children, three girls and a boy, of William Geddes (c.1852-1916) and his wife Eliza Jane Stafford (1863-1955).
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass , the company existed from the 18th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
Blenko Glass Company is an art glass company that began producing in 1922 under the name Eureka Art Glass Company. The company name was changed to Blenko Glass Company in 1930. Originally an antique flat glass company, it was founded by Englishman William J. Blenko (1854-1933). Blenko came to the United States to make glass in 1893.
One of the few successful American glass companies was the New England Glass Company, which was incorporated in 1818 and led by Deming Jarves—the "father of the American glass industry." [ 10 ] Using assistance from the Harvard University library and a British engineer named James B. Barnes , Jarves developed a way to produce red lead from ...
While most of the work of Wailes' workshop is to be found in the North of England, other commissions came from further afield. The most significant window glazed by the firm, and one of the prize commissions of the industry, was the glazing of the west window of Gloucester Cathedral, an enormous window of c.1430 in the Perpendicular Gothic style, of nine lights and four tiers.
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
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