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Kathak (Uttar Pradesh, Classical Indian Dance) Kathakali (Kerala, India, Incorporates dance) Kerala Natanam (Indian Dance created by Guru Gopinath) Krishnanattam; Kuchipudi (Classical Indian Dance, Andhra Pradesh) Kolattam (folk Tamil Nadu) Koli Dance (Folk Maharashtra) Karakattam (folk Tamil Nadu) Kanyarkali (Folk Dance, Kerala; Kalbelia (Folk ...
Kushan dance or kushan nritya or kushan gaan is a Rajbongshi folk drama form based on Krittivasi Ramayan. The artistes narrate the story of Ramayan in Kamtapuri or Rajbongshi language through musical verses. The Kushan folk theater is traceable to the 15th century when the Koch dynasty ruled Assam, West Bengal, and the current northern Bangladesh.
Domkach is a dance performed during a marriage ceremony by the bride and groom's family. Fagua is performed during the festival of Holi. [21] Paiki is a nagpuri martial dance. Chhau dance is a semi-classical Indian dance with folk traditions which originated in the eastern states of Jharkhand, West Bengal, and Odisha. It has three styles, named ...
Gombhira, Gambhira or Gamvira (Bengali: গম্ভীরা) is a type of Bengali folk song and dance originating in the Bengal region, from what is known today as northwestern Bangladesh and north eastern West Bengal, India.
Dhamal (Bengali: ধামাল), better known as dhamail (Bengali: ধামাইল), is a form of Bengali folk music and dance prevalent in the Mymensingh and Sylhet regions of northeastern Bengal, in present-day Bangladesh and eastern India.
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Abhinaya (Sanskrit abhi-'towards' + nii-'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni's Natya Shastra, is used as an integral part of all Indian classical dance styles. [1]
In all their forms of Indian classical dance, the mudras are similar, though the names and uses vary. There are 28 (or 32) root mudras in Bharatanatyam , 24 in Kathakali and 20 in Odissi . These root mudras are combined in different ways, like one hand, two hands, arm movements, body and facial expressions.
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