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Globalization is the process of increasing interdependence and integration among the economies, markets, societies, and cultures of different countries worldwide. This is made possible by the reduction of barriers to international trade, the liberalization of capital movements, the development of transportation, and the advancement of information and communication technologies. [1]
Concertaje was a forced labor system in Ecuador from the 17th century through the early 20th century. Under this system, landowners used unpaid debts of Indigenous workers, conciertos, [1] to lock them into contracts as indentured servants on their haciendas.
Rivera, Tomás (1987) ...y no se lo tragó la tierra/ ...And the Earth Did Not Devour Him (English and Spanish edition). Translated by Evangelina Vigil-Piñón. Houston: Arte Publico Press. Rivera, Tomás (1992) ...y no se lo tragó la tierra/ ...And the Earth Did Not Devour Him (English and Spanish edition). Translated by Evangelina Vigil-Piñón.
Edward Hallett Carr CBE FBA (28 June 1892 – 3 November 1982) was a British historian, diplomat, journalist and international relations theorist, and an opponent of empiricism within historiography.
Of the most prominent independent theatre companies were Teatro del Pueblo, La Mascara, Nuevo Teatro and Fray Mocho, the theatre company where Historia del hombre que se convirtió en perro premiered. [1] [8] Teatro independiente had great influence on the theatre of its surrounding countries, including Peru, Chile, Bolivia, and Uruguay. [8]
Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain (considered Mexican by many authors) [2] writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
Las Hilanderas (Spanish pronunciation: [las ilanˈdeɾas]; "The Spinners") is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. Most scholars regard it as a late work by the artist, dating from 1657-58, but some argue that it was done c. 1644-48. [1]
María de los Remedios Alicia Rodriga Varo y Uranga was born on 16 December 1908 in Anglès, a small town in the province of Girona, in Catalonia. Remedios was named in honor of the Virgen de los Remedios ("Virgin of Remedies") as a 'remedy' for an older sister's death. She had two surviving siblings: an older brother Rodrigo, and a younger ...