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Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy.His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and ...
Dolphy's compositions are the inspiration for many tribute albums, including Oliver Lake's Prophet and Dedicated to Dolphy, Jerome Harris' Hidden In Plain View, [87] Otomo Yoshihide's re-imagining of Out to Lunch!, [88] Silke Eberhard's Potsa Lotsa: The Complete Works of Eric Dolphy, [89] and Aki Takase and Rudi Mahall's duo album Duet For Eric ...
In his short life of only 36 years, jazz musician and band leader Eric Dolphy made quite a mark on the world of jazz. He was lauded for his skills on the alto saxophone, bass clarinet, and the ...
Out to Lunch may refer to: Out to Lunch!, a 1964 album by Eric Dolphy; Out to Lunch, a 1994 album by Mainesthai; Out to Lunch, a 1974 ABC special; Out to Lunch, a multi-platform action video game created by Mindscape "Out to Lunch", a poem in the Conductors of Chaos poetry anthology "Out To Lunch", a song by Krokus from The Blitz
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Richard Davis (April 15, 1930 – September 6, 2023) was an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's Out to Lunch!, Andrew Hill's Point of Departure, and Van Morrison's Astral Weeks, of which critic Greil Marcus wrote (in The Rolling Stone Illustrated History of Rock and Roll), "Richard Davis provided the greatest bass ever heard on a ...
It also more clearly anticipates the detailed, abstract sound paintings of Dolphy's masterwork Out to Lunch, in large part because this time around the program is weighted toward Dolphy originals." He called the recordings "classic sessions" and stated that they "constitute some of the most brilliant work of the early-'60s avant-garde."
Writing for Tidal, Brad Farberman called this period "an important stepping stone" toward Coltrane's A Love Supreme and Dolphy's Out to Lunch! [3] Chris Pearson of The Times rated this release 4 out of 5 stars, writing that Coltrane and Dolphy were at artistic heights, but criticizes Reggie Workman's solo in "Africa". [11]