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The first model offered was the Super 800, an 18-watt model with a single 12" speaker and a rear ventilation port. In 1951, Ampeg introduced a 20-watt version with a 15-inch speaker. In 1960, they introduced the B-15 Portaflex , a flip-top 25-watt tube bass amplifier with a single 15" speaker.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
The Roland Micro Cube, left, a small and portable digital modeling amplifier. Digital amp modelers Standalone modeling devices such as the Line 6 POD and Fractal Axe-FX digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact ...
Most of the amplifiers produced by ACC were solid-state, but a few models later in production were valve amps. The company is remembered in particular for its Acoustic 361 bass stack, consisting of an Acoustic 360 bass pre-amplifier and one or two Acoustic 361 W-bins, each featuring a built-in 200-watt RMS power amplifier and a rear-facing 18" Cerwin-Vega loudspeaker.
A parametric array, in the field of acoustics, is a nonlinear transduction mechanism that generates narrow, nearly side lobe-free beams of low frequency sound, through the mixing and interaction of high frequency sound waves, effectively overcoming the diffraction limit (a kind of spatial 'uncertainty principle') associated with linear acoustics. [1]
The design is distinct from a semi-acoustic guitar, which is an electric guitar with the addition of sound chambers within the guitar body. Usually, acoustic-electric guitars are fitted with piezoelectric pickups, requiring a preamplifier incorporated into the guitar body to amplify the signal before it travels to the main guitar amplifier ...
Room modes are the collection of resonances that exist in a room when the room is excited by an acoustic source such as a loudspeaker. Most rooms have their fundamental resonances in the 20 Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof.
Spectral modeling synthesis (SMS) is an acoustic modeling approach for speech and other signals. SMS considers sounds as a combination of harmonic content and noise content. Harmonic components are identified based on peaks in the frequency spectrum of the signal, normally as found by the short-time Fourier transform .
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3579 S High St, Columbus, OH · Directions · (614) 409-0683