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It is the subjective counterpart of the space of physical objects. There is a long history in philosophy, and later psychology of writings describing visual space, and its relationship to the space of physical objects. A partial list would include René Descartes, Immanuel Kant, Hermann von Helmholtz, William James, to name just a few.
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
[9] [10] However, it is hard to define in philosophical terms what it is, precisely, about a ghost that makes it a specifically non-physical, rather than a physical entity. Were the existence of ghosts ever demonstrated beyond doubt, it has been claimed that would actually place them in the category of physical entities.
The type–token distinction identifies physical objects that are tokens of a particular type of thing. [7] The "type" of which it is a part is in itself an abstract object. The abstract–concrete distinction is often introduced and initially understood in terms of paradigmatic examples of objects of each kind:
Art tends to have a way to reach people's emotions on a deeper level and when creating art, it is a way for them to release the emotions they cannot otherwise express. There is a professional denomination within psychotherapy called art therapy or creative arts therapy in which deals with diverse ways of coping with emotions and other cognitive ...
In metaphysics, phenomenalism is the view that physical objects cannot justifiably be said to exist in themselves, but only as perceptual phenomena or sensory stimuli (e.g. redness, hardness, softness, sweetness, etc.) situated in time and in space.
The functional-equivalency hypothesis is that mental images are "internal representations" that work in the same way as the actual perception of physical objects. [33] In other words, the picture of a dog brought to mind when the word dog is read is interpreted in the same way as if the person was observing an actual dog before them.
A physical body as a whole is assumed to have such quantitative properties as mass, momentum, electric charge, other conserved quantities, and possibly other quantities. An object with known composition and described in an adequate physical theory is an example of physical system.