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Music for alto saxophone and orchestra (1993/95)—Bertold Hummel; Cyber Bird Concerto, for alto saxophone and orchestra, Op. 59 (1994)—Takashi Yoshimatsu; My Assam Dragon for alto saxophone and orchestra (1994/1996)—Jan Sandström; Chamber Symphony No. 3 for alto saxophone and 20 string instruments(1995–96)—Kalevi Aho
Bucharest Radio, Contemporary Music Festival: Claude Delangle: Bakla, Petr: First comes the obvious opening gesture, but then the plot thickens, and the sweet background music is not what really matters here: 2010: 6' alto: with tape: 2010-06-12, Basel: Polaris Trio [3] Barath, Eva...und begriff, dass es ein Traum gewesen: 1994: 12' 1994-12-07 ...
As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the Sexteto místico for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), Quarteto simbólico for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), Chôros No. 3 and No. 7 (1925 and 1924 ...
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
Colin Stetson at Sled Island Music and Arts Festival, Calgary, 2013.. His first solo album, New History Warfare, Vol. 1, was released in 2008.His second and third albums, New History Warfare Vol. 2: Judges and New History Warfare Vol. 3: To See More Light, were released by Constellation Records in early 2011.
Saxophone Solos is a solo soprano saxophone album by Evan Parker. Three of the tracks were recorded live on June 17, 1975, at the Unity Theatre in London, and the remaining music was recorded on September 9, 1975 at the FMP Studio in Berlin. [ 1 ]
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The saxophone break on "Baker Street" has been described as "the most famous saxophone solo of all time" [4] and "the most recognizable sax riff in pop music history". [5] The distinctive wailing, bluesy sound of the sax riff was a result of the alto saxophone Ravenscroft was using being tuned slightly flat, and in a radio interview in 2011, he ...
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