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Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric.
Senufo people traditionally have lived in circular shaped mud huts, agriculture historically is their main livelihood [14] The Senufo people emerged as a group sometime within the 15th or 16th century. [8] They were a significant part of the 17th to 19th-century Kénédougou Kingdom (literally "country of the plain") with the capital of Sikasso ...
More recently, the process has been refined into the art of the hikaru ("shining") dorodango (光る泥だんご), which has a glossy surface. Several different techniques can be used. [1] [2] Across all methods, a core of the ball is made of basic mud, which has been carefully shaped by hand to be as round as possible. This core is left to dry ...
Bògòlanfini is also produced as fine art by several Malian artists, notably by the Groupe Bogolan Kasobané, six artists collaborating since 1978. These paintings are produced with vegetable dyes and mud, but often feature designs unrelated to those of traditional fabrics; their newer motifs are also often found on clothing. [ 5 ]
The ceremonial drum owned and housed in the Art Institute of Chicago epitomizes Senufo culture, and it is through drum's embellished designs that viewers are exposed to core beliefs of the Senufo, particularly, in how women are seen as guardians of divinity and supporting foundations of society for the Senufo.
Danni Houchins was found dead in a swamp in Montana. Decades later, a friend of Danni's sister realized she'd been alone with Danni's killer in the wilderness.
Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
This wooden female ancestor figure by an unknown Senufo artisan is part of the African collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Carved in the first half of the 20th century, it displays the artist's skill with form and respect for the powerful female half of the primordial couple. [1]