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A diagram of a katana and koshirae with components identified. Fuchi (縁): The fuchi is a hilt collar between the tsuka and the tsuba.; Habaki (鎺): The habaki is a wedge-shaped metal collar used to keep the sword from falling out of the saya and to support the fittings below; fitted at the ha-machi and mune-machi which precede the nakago.
A fastener known as a pommel is attached to the end of the sword to keep the bell guard and handle on. It electrically separates the handle and the guard. The conventional handle of the sabre is shaped so that it may be held so that the hand may slide down to gain further extension of the weapon relative to the fencer.
Kron: "crown", the sword hilt is held out about head height with the point up. Kron is used at the bind and is usually a prelude to grappling. Langort: "long point", the sword point is extended straight out at the opponent. Many of the cuts pass through this transitional guard, and it is the natural ending of a thrust.
A dusack or dussack (also dusägge and variants, [1] from Czech tesák "cleaver; hunting sword", lit. "fang") is a single-edged sword of the cutlass or sabre type, in use as a side arm in Germany and the Habsburg monarchy during the 16th to 17th centuries, [2] as well as a practice weapon based on this weapon used in early modern German fencing ...
Different positions from the Hanging Guard, from Captain G. Sinclair's "Anti Pugilism" Scottish fencing manuals detailing the use of the basket-hilted Scottish broadsword (besides other disciplines including the smallsword and spadroon and, to a lesser extent, the targe, dirk and quarterstaff) were published throughout the 18th century, with early and late examples dating to the late 17th and ...
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Italian fencing master Ridolfo Capo Ferro defined the forte as the blade from the hilt to the middle. From the middle to the top is known as the debole. For the debole only, the edges are labeled true and false, the former being the lower edge when the sword is held horizontally. The flats of the sword are not named. [1]
The first known English use of fence in reference to Renaissance swordsmanship is in William Shakespeare's Merry Wives of Windsor, (act i, scene 1), "with playing at sword and dagger with a master of fence," , [8] and later, (act 2, scene 3) "Alas sir, I cannot fence" [9] the term "fencer" is used in Much Ado About Nothing, "blunt as the fencer ...