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This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
[1] [2] [3] It is an effort to rationalize or rather "vindicate the ways of God to man" (l.16), a variation of John Milton's claim in the opening lines of Paradise Lost, that he will "justifie the wayes of God to men" (1.26). [4] It is concerned with the natural order God has decreed for man.
The passage known as Genesis B survives as an interpolation in a much longer Old English poem, the rest of which is known as Genesis A, which gives an otherwise fairly faithful translation of the biblical Book of Genesis. Genesis B comprises lines 235-851 of the whole poem. Genesis B and Genesis A survive in the partially illustrated Junius ...
The poem has been compared to passages from the philosophy of Thomas Carlyle, a longtime friend and confidante of Tennyson's. [2]British Nonconformist divine Robert Forman Horton wrote that while "some of the older theologians" suspected Tennyson of literal pantheism, "The Higher Pantheism" "does not say that the All (Pan) is God, but that the All is a shadow of God whom we are at present too ...
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Poems of Sentiment and Reflection (1815–32); Poems of the Imagination (1836–) 1807 Vaudracour and Julia 1804 "O happy time of youthful lovers (thus" Poems founded on the Affections: 1820 The Cottager to her Infant, by my Sister 1805 "The days are cold, the nights are long," Poems founded on the Affections: 1815 The Waggoner 1805
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
Wordsworth borrowed a copy while still a schoolboy, and the poem's influence on his Tintern Abbey and The Prelude is widely recognised. [9] The late nineteenth century English novelist George Gissing read three books of the poem in April 1892, describing it as "rather a favourite of mine, oddly". [10]