Search results
Results from the WOW.Com Content Network
Preceded by This is not a fable and followed by Supplement to the Voyage of Bougaineville, it forms a triptych of moral fables written in 1772 [2] that would appear in the Literary Correspondence in 1773. [3] Madame de La Carlière takes its name from the mother of Sophie Volland, Élisabeth Françoise Brunel de La Carlière. [4]
The word triptych was formed in English by compounding the prefix tri-with the word diptych. [2] Diptych is borrowed from the Latin diptycha, which itself is derived from the Late Greek δίπτυχα (díptycha) ' pair of writing tablets '. δίπτυχα is the neuter plural of δίπτυχος (díptychos) ' double-folded '. [3]
Although the base language of the novel is English, it is an English that Joyce modified by combining and altering words from many languages into his own distinctive idiom. Some commentators believe this technique was Joyce's attempt to reproduce the way that memories, people, and places are mixed together and transformed in a dreaming or half ...
Some definitions restrict "polyptych" to works with more than three sections: [1] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or quadriptych has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
It relates that she was the beautiful sister of Joukahainen.Her brother, having lost a singing contest to the storied Väinämöinen, promised Aino's "hands and feet" in marriage if Väinämöinen would save him from drowning in the swamp into which Joukahainen had been thrown.
The Two Pigeons (original French title: Les deux pigeons) is a fable by Jean de la Fontaine (Book IX.2) that was adapted as a ballet with music by André Messager in the 19th century and rechoreagraphed to the same music by Frederick Ashton in the 20th.
As a practical tool, fabels form part of the process of engaging with a play-text undertaken by a company when mounting a production of a play. A fabel is a piece of creative writing, usually made by a dramaturg or the director, that summarizes the plot of a play in such a way as to emphasize the production's interpretation of that play-text.