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The Golden Calf and the Altar, an episode in the unfinished opera Moses und Aron, a three-act, uncompleted opera by Arnold Schoenberg; Dance around the Golden Calf by Giuseppe Gambarini (1680 – 11 September 1725). National Museum of Serbia. Belgrade, Serbia. The Golden Calf, a sculpture by conceptual artist Damien Hirst
Dathan is also depicted in the 1923 silent film version of the same story, with Lawson Butt in the role. As the Moses story only takes up a portion of this film, Dathan's role is correspondingly smaller. However, throughout the golden calf sequence, he is shown madly obsessed with Miriam, frequently touching or
There is also a tradition that it was Micah who caused the golden calf to be made; in this tradition, Moses retrieved Joseph's coffin from the Nile by throwing a splinter with the words come up ox (comparing Joseph to an ox) into the river in the wilderness, and Micah retrieved the splinter after this, and threw it into the fire which Aaron had ...
Illustrations of the Golden Calf story usually include him as well – most notably in Nicolas Poussin's The Adoration of the Golden Calf (c. 1633 –34, National Gallery, London). [113] Finally, some artists interested in validating later priesthoods have painted the ordination of Aaron and his sons (Leviticus 8).
Scholars of Islam have linked Samiri to various individuals mentioned in the Bible. As-Samiri is typically translated as "the Samaritan", with the episode being seen as an explanation for the separation between Samaritans and non-Samaritans. The story parallels the Biblical narrative of the golden calves built by Jeroboam of Samaria. [9]
The Golden Calf (gouache on board, c. 1896–1902 by James Tissot). Ki Tisa, Ki Tissa, Ki Thissa, or Ki Sisa (כִּי תִשָּׂא —Hebrew for "when you take," the sixth and seventh words, and first distinctive words in the parashah) is the 21st weekly Torah portion (parashah) in the annual Jewish cycle of Torah reading and the ninth in the Book of Exodus.
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