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The pattern is a Selburose, which is a traditional rose from the Selbu area, shaped like an octagram. Marit Guldsetbrua Emstad (born 1841) first knitted the pattern into a pair of mittens in 1857, [2] and sold it through Husfliden in Trondheim in 1897. Selbuvott is possibly the most-worn knitted pattern in Norway.
Aran knitting patterns are heavily textured knitting patterns which are named after the Aran Islands, which are located off the west coast of Ireland from County Galway and County Clare. The patterns are knitted into socks, hats, vests, scarves, mittens, afghans, pillow covers, [ 1 ] and, most commonly, sweaters.
A raised increase, knitting into row below (k-b, k 1 b) A lifted increase, knitting into the yarn between the stitches (inc, m1) Knit front and back (kfb) Purl front and back (, pass slipped stitch over (S1, K1, PSSO) for a left-leaning decrease. Knit two together through the back loops (K2tog tbl) for a left-leaning decrease.
Some of the most well known sweater patterns attributed to Norwegian colorwork knitting are the Setesdal Lusekofte and the Fana Fanacofte patterns. Selbu in Trøndelag county is also well known for the Selburose pattern motif. Selbu mittens first appeared as a vertical column of two snowflakes on the front side of the mittens. The origin of ...
She may have been inspired by stockings knitted by Marit Sessenggjerdet, a woman working for the same employer. [1] The design became immediately popular in Selbu. The Norwegian Arts and Craft Club (Husflidslag) spread the selburose mitten fad across the country after 1910. By the 1930s, 100,000 pairs were made in Selbu every year, and by 1960 ...
Nålebound socks from Egypt (300–500 AD) Mittens done in "nålebinding" Swedish nålebinding mittens, late 19th century. Nålebinding (Danish and Norwegian: literally 'binding with a needle' or 'needle-binding', also naalbinding, nålbinding, nålbindning, or naalebinding) is a fabric creation technique predating both knitting and crochet.
Mittens are made from several materials, including wool, leather and fur. From the late 18th century, knitting patterns were published which allowed to inscribe poems on knitted mittens. [15] Special types of mittens include: A pair of one-finger ski mittens, providing the warmth of a mitten, but offering more dexterity in gripping things.
Wrist-length mittens used to be commonly made of seal or caribou skin with the fur and the rough edge of the seam on the outside. Sealskin mittens were frequently made from leftover pieces of skin after boots were cut from them. The back and palm were separate pieces and the thumb one piece; gloves were unknown.
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