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JINYA Ramen Bar is a chain of restaurants based in Los Angeles, California, specializing in ramen noodle dishes. The restaurants are located across the Lower 48, Washington DC, and Hawaii in the US; [1] and Burnaby, Calgary, Edmonton, and Vancouver in Canada. [2] [3] Los Angeles food critic Jonathan Gold has praised the restaurant. [4] [5] [6]
Ippudo – a Japanese ramen restaurant chain that is well known for its tonkotsu ramen, it has been described as "the most famous tonkotsu ramen shop in the country". [5] Ivan Ramen – a ramen restaurant with two locations in New York City [13] Jinya Ramen Bar – a restaurant chain based in Los Angeles, California [14]
New York City Ballet: New York State Theater: Friday, April 28 Tributary: Robert La Fosse and Robert Garland: Wolfgang Amadeus Mozart: New York City Ballet: New York State Theater: Thursday, May 25 Triptych: Christopher d'Amboise: Béla Bartók: New York City Ballet: New York State Theater: Wednesday, June 7
Serenade (ballet) The Seven Deadly Sins (ballet chanté) Simple Symphony (ballet) Slaughter on Tenth Avenue; Slice to Sharp; Sonate di Scarlatti; Sonatine (ballet) La Sonnambula (Balanchine) La Source (Balanchine) Square Dance (ballet) Stars and Stripes (ballet) The Steadfast Tin Soldier (ballet) Stravinsky Violin Concerto (ballet) Suite of ...
Dance Theatre of Harlem (DTH) is an American professional ballet company and school based in Harlem, New York City. It was founded in 1969 under the directorship of Arthur Mitchell and later partnered with Karel Shook. Milton Rosenstock served as the company's music director from 1981 to 1992.
Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he ...
Dances at a Gathering is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. [1] He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. [2]
In 1964 Karinska was invited by Balanchine to join the New York City Ballet at the New York State Theater at Lincoln Center, newly injected with generous grants from the Ford Foundation. This period that lasted thirteen years produced a long list of ballet productions in different musical genres, including some abstract designs —such as ...