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His prints appealed to European collectors, and led to his acquisition of multiple prestigious awards in Japan, including the “Best Art Piece” at the Contemporary Art Exhibition of Japan. [ 4 ] [ 11 ] Concurrently, Hamaguchi became a member of the Salon d’Automne , an annual Parisian art exhibition that highlighted the latest developments ...
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
The title of the Ukiyo-e print series Edo-no-Hana Meisho-e translates into English as The Flowers of Edo: A Collection of Famous Places. [1] The Flowers of Edo was a phrase used to describe the finest features of everyday life, as experienced in the various districts of Japan’s Tokugawa capital during the mid-nineteenth century. [2]
Ukiyo-e: The Art of the Japanese Print. Tuttle Publishing. ISBN 978-4-8053-1098-4. Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. ISBN 9780192114471 OCLC 5246796; Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei. ISBN 9789074822657 OCLC ...
Ohara Koson (also Ohara Hōson, Ohara Shōson) (Kanazawa 1877 – Tokyo 1945) was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, at the forefront of shinsaku-hanga and shin-hanga art movements. [1] Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career ...
The ukiyo-e collector Takeo Nagase purchased Fukagawa no Yuki in Paris from an ukiyo-e art dealer from Japan and brought it back to Japan in 1939. It was displayed in an exhibition ("Second Famous Works of Ukiyo-e Exhibition" ( 第2回浮世絵名作展覧会 , Dai-nikai Ukiyo-e Meisaku Tenrankai ) ) at the Matsuzakaya department store in the ...
Oshibana (押し花) is the art of using pressed flowers and other botanical materials to create an entire picture from these natural elements. [1] Such pressed flower art consists of drying flower petals and leaves in a flower press to flatten them, exclude light and press out moisture. These elements are then used to "paint" an artistic ...
Van Gogh admired the techniques of Japanese artists. [12]Characteristic features of ukiyo-e prints include their ordinary subject matter, the distinctive cropping of their compositions, bold and assertive outlines, absent or unusual perspective, flat regions of uniform colour, uniform lighting, absence of chiaroscuro, and their emphasis on decorative patterns.
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