Search results
Results from the WOW.Com Content Network
Inflection is the process of adding inflectional morphemes that modify a verb's tense, mood, aspect, voice, person, or number or a noun's case, gender, or number, rarely affecting the word's meaning or class. Examples of applying inflectional morphemes to words are adding -s to the root dog to form dogs and adding -ed to wait to form waited.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Creaky voice is frequent in a number of languages, including Finnish, where it serves as a cue for phrase-boundaries and turn-taking. [13] Some languages, such as Jalapa Mazatec , use vocal fry (creaky voice) as a linguistically significant marker; the presence or absence of vocal fry can then change the meaning of a word.
A vocal register is a range of tones in the human voice produced by a particular vibratory pattern of the vocal folds. These registers include modal voice (or normal voice), vocal fry, falsetto, and the whistle register. [1] [2] [3] Registers originate in laryngeal function. They occur because the vocal folds are capable of producing several ...
An example can be seen in the table of contents of McGuffey's New Sixth Eclectic Reader of 1857: Principles of Elocution I. Articulation II. Inflections III. Accent and Emphasis IV. Instructions for Reading Verse V. The Voice VI. Gesture New Sixth Reader. Exercises in Articulation Exercise I. — The Grotto of Antiparos Exercise II. — The ...
Vocal pedagogy is the study of the art and science of voice instruction. It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished.
An example is the conjugation of English verbs, which has become almost unchanging today (see also null morpheme), thus contrasting sharply, for example, with Latin, in which one verb has dozens of forms, each one expressing a different tense, aspect, mood, voice, person, and number.
The exchange above is an example of using intonation to highlight particular words and to employ rising and falling of pitch to change meaning. If read out loud, the pitch of the voice moves in different directions on the word "cat." In the first line, pitch goes up, indicating a question.