Search results
Results from the WOW.Com Content Network
G ♭ is a major third below B ♭, whereas F ♯ is a major third above D (a minor third below A). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the G ♭ semitone is approximately 369.994 Hz. [1] See musical pitch for a discussion of historical variations in frequency.
Starting the scale on a different degree will always create a new mode with individual interval layouts—for example starting on the second degree of a major scale gives the "Dorian mode"—tone, semitone, tone, tone, tone, semitone, tone. This is not so of the modes of limited transposition, which can be modally shifted only a limited number ...
A semitone is any interval between two adjacent notes in a chromatic scale, a whole tone is an interval spanning two semitones (for example, a major second), and a tritone is an interval spanning three tones, or six semitones (for example, an augmented fourth).
The ratio is 3/2 = 1.5 for a perfect fifth, for example from C to G on a major scale, and 5/4 = 1.25 for a major third, for example from C to E. A major scale may be seen as two identical tetrachords separated by a whole tone. Each tetrachord consists of two whole tones followed by a semitone (i.e. whole, whole, half).
In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones).
The Flohwalzer can be played in G-flat major, or F-sharp major, for its easy fingering. John Rutter has chosen G-flat major for a number of his compositions, including "Mary's Lullaby" and "What sweeter music". [5] In a charity interview [6] he explained several of the reasons that drew him to this key. In many soprano voices there is a break ...
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
For instance, the above-mentioned interval F–B is the only tritone formed from the notes of the C major scale. More broadly, a tritone is also commonly defined as any interval with a width of three whole tones (spanning six semitones in the chromatic scale), regardless of scale degrees. According to this definition, a diatonic scale contains ...