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Fiber art (fibre art in British spelling) refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles have been a fundamental part of human life since the beginning of civilization .
Robert's international work has included travel to Japan "for study of traditional indigo-dyed textiles and contemporary fiber art", as well as organizing a 2001 textile tour to Turkey, and participation in 2012 at the First International Textile Conference in Istanbul. [14] Robert co-founded the Eugene Textile Center with Suzie Liles in 2008. [6]
Textile arts and fiber arts include fabric that is flexible woven material, as well as felt, bark cloth, knitting, embroidery, [1] featherwork, skin-sewing, beadwork, and similar media. Textile arts are one of the earliest known industries. [1] Basketry is associated with textile arts. [2]
Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as fashion, interior design, and fine arts. [2] [3]
Eugene Textile Center (ETC) is a studio and a regional source of fiber arts materials, equipment, and lessons in weaving, spinning, dyeing, and felting, founded by Suzie Liles and Marilyn Robert in 2008 in Eugene, Oregon. ETC offers classes and studio space for weaving and surface design, as well as meeting space for the Eugene Weavers' Guild ...
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Olga de Amaral (born 1932 [1]) is a Colombian textile and visual artist known for her large-scale abstract works made with fibers and covered in gold and/or silver leaf. . Because of her ability to reconcile local concerns with international developments, de Amaral became one of the few artists from South America to become internationally known for her work in fiber during the 1960s and ‘7
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