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"I'll Be Back" is a song written by John Lennon, [2] [3] with some collaboration from Paul McCartney [4] (credited to Lennon–McCartney). It was recorded by the English rock band the Beatles for the soundtrack album to their film A Hard Day's Night (1964) but not used in the film.
[28] [nb 4] It is mainly in the key of D major, with a brief modulation to G major in the bridge, and is in common time. [27] According to music scholar Terence J. O'Grady, the "most notable" element of the song's composition is the I–â™VII–IV–V chord progression used in the verses, as the Beatles had never used it before despite it ...
"Not a Second Time" is a song by English rock band the Beatles. It was written by John Lennon , though credited to the Lennon–McCartney partnership. It was first released on the Beatles second British album, With the Beatles , and their second American album Meet the Beatles! .
"When I Get Home" is a song written by John Lennon (credited to Lennon–McCartney), and recorded by the English rock band the Beatles on 2 June 1964, during the last session for their third studio album A Hard Day's Night (1964). [1]
"Long, Long, Long" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as "the White Album"). It was written by George Harrison, the group's lead guitarist, while he and his bandmates were attending Maharishi Mahesh Yogi's Transcendental Meditation course in Rishikesh, India, in early 1968.
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
"Baby's in Black" is a song by the English rock band the Beatles, co-written by John Lennon and Paul McCartney. [2] [3] It appears on the United Kingdom album Beatles for Sale [4] and on the United States album Beatles '65, both released in 1964. [5]
"Think for Yourself" has a 4/4 time signature and is set to a moderate rock beat. [21] After a two-bar introduction, the structure comprises three combinations of verse and chorus, with the final chorus being repeated in full, followed by what musicologist Alan Pollack terms a "petit-reprise of the last phrase" to close the song. [22]
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