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Personifications, often in sets, frequently appear in medieval art, often illustrating or following literary works. The virtues and vices were probably the most common, and the virtues appear in many large sculptural programmes, for example the exteriors of Chartres Cathedral and Amiens Cathedral.
An example of this was the Hungerford Massacre, where a gunman was alleged by the tabloid press to have been influenced by the Rambo series of films starring Sylvester Stallone. In September 2001, shortly after the World Trade Center Attack, the German composer Karlheinz Stockhausen said of the atrocity that it was "Lucifer's greatest work of art."
Allegory with a portrait of a Venetian senator (Allegory of the morality of earthly things), attributed to Tintoretto, 1585 Morality (from Latin moralitas 'manner, character, proper behavior') is the categorization of intentions, decisions and actions into those that are proper, or right, and those that are improper, or wrong. [1]
Georg Wilhelm Friedrich Hegel considered the sublime a marker of cultural difference and a characteristic feature of oriental art. His teleological view of history meant that he considered "oriental" cultures as less developed, more autocratic in terms of their political structures and more fearful of divine law.
In this allegory, Plato describes a group of people who have lived chained in a cave all of their lives, facing a blank wall (514a–b). The people watch shadows projected on the wall by things passing in front of a fire behind them and begin to ascribe forms to these shadows, using language to identify their world (514c–515a).
Holding decadence to be in any condition, ultimately limiting what something or someone can be, Nietzsche used his exploration in nihilism to critique traditional values and morals that threatened the decline in art, literature, and science. Nihilism, generally, is the rejection of moral principles, ultimately believing that life is meaningless ...
Arete (Ancient Greek: ἀρετή, romanized: aretḗ) is a concept in ancient Greek thought that, in its most basic sense, refers to "excellence" of any kind [1] —especially a person or thing's "full realization of potential or inherent function." [2] The term may also refer to excellence in "moral virtue." [1]
The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect our moods and our beliefs. [ 5 ]