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Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos , three of his symphonies and two of his ten operas, are among his most familiar works.
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
List of Cambridge Companions to Music; List of classical music concerts with an unruly audience response; List of French haute-contre roles; List of historical opera characters; List of Innsbruck Festival of Early Music productions; List of musical items in Claudio Monteverdi's L'Orfeo; List of performances of French grand operas at the Paris ...
Chamber music by Pyotr Ilyich Tchaikovsky (1 C, 3 P) Choral compositions by Pyotr Ilyich Tchaikovsky (4 P) Compositions by Pyotr Ilyich Tchaikovsky published posthumously (8 P)
Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.
Pages in category "Songs by Pyotr Ilyich Tchaikovsky" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. L.
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
Here Tchaikovsky harnessed the harmonic, melodic and rhythmic quirks of Ukrainian folk music to produce an opening movement massive in scale, intricate in structure and complex in texture—what Brown calls "one of the most solid structures Tchaikovsky ever fashioned" [47] —and a finale that, with the folk song "The Crane" offered in an ever ...