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Sunset earned predominately negative reviews from critics and the public alike. Most reviewers noted that Garner's screen presence was the only thing that made the film watchable. Hal Hinson in his review for The Washington Post contrasted the impact of the two male stars: "Ultimately, Sunset plays like deluxe dinner theater fare. It's a ...
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.
On Rotten Tomatoes the film has a 27% approval rating, based on 129 reviews. The website's consensus reads, "Beautifully filmed, but decidedly dull, Evening is a collossal waste of a talented cast." [6] On Metacritic it has a score of 45% based on reviews from 33 critics, indicating "mixed or average reviews". [7]
Related: Dirty Dancing Broadway adaptation heading to the stage with original film's writer, movie actor returning to direct The British director's production is remarkably fresh for a 1990s ...
On August 10, 1950, Paramount’s Billy Wilder-directed drama Sunset Boulevard premiered in New York. The film went on to earn 11 nominations at the 23rd Academy Awards, winning in the art ...
El-Waylly hosts a web series for the American TV network History titled Ancient Recipes with Sohla. [18] She also hosts a show for the New York Times Cooking YouTube channel titled Mystery Menu. [19] She is also a judge on the HBO Max culinary reality competition The Big Brunch, along with Dan Levy and Will Guidara. [20]
It takes a while in “Beautiful Evening, Beautiful Day” to reach Barren Island, a notorious penal colony in the former Yugoslavia where no cells were necessary and armed guards counted on the ...
In her review of Evita, Janet Maslin from The New York Times commented that the track was "tinglingly sung". [76] A negative review came from NME ' s Alex Needham, who wrote; "by 1996 Madonna was fast turning into the pop equivalent of Sunset Boulevard ' s Norma Desmond, croaking, 'I'm still big!