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Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks…in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
But Joplin—an avid fan of underground comics, especially the work of Crumb—so loved the Cheap Thrills illustration that she demanded Columbia place it on the front cover. It is number nine on Rolling Stone ' s list of 100 greatest album covers. [6] Crumb later authorized the sale of prints of the cover, some of which he signed before sale.
These album covers tend to display inauthentic versions of their considerations of style and sexuality and do not accurately display "Uptown" Jamaica. [10] Album cover art was the subject of a 2013 documentary film, The Cover Story: Album Art, by Eric Christensen, a San Francisco Bay Area record collector. [11]
The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.
Album cover art is artwork created for a music album.Notable album cover art includes Pink Floyd's The Dark Side of the Moon, King Crimson's In the Court of the Crimson King, Kanye West's My Beautiful Dark Twisted Fantasy, [4] [5] the Beatles' Sgt. Pepper's Lonely Hearts Club Band, Abbey Road and their self-titled "White Album", among others.
In the history of album cover art, only two parties have become arguably almost as famous as some of the bands they shot or designed for: Hipgnosis, in the 1970s, and Anton Corbijn, from the mid ...
Hipgnosis covers were noted for their quirky humour, such as the cover for the Pink Floyd double-LP compilation A Nice Pair, which featured an array of visual puns. Another example was the album There's the Rub for Wishbone Ash using a picture of cricketer and ball.
The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
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