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Language of flowers – cryptological communication through the use or arrangement of flowers; Hanakotoba, also known as 花言葉 – Japanese form of the language of flowers; List of national flowers – flowers that represent specific geographic areas
The title page of Hamlet Q2 (1604), the only early source for the speech. Hamlet exists in several early versions: the first quarto edition (Q1, 1603), the second quarto (Q2, 1604), and the First Folio (F, 1623). [b] Q1 and F do not contain this speech, although both include a form of The Closet Scene, so the 1604 Q2 is the only early source ...
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Hebenon is the agent of death in Hamlet's father's murder; it sets in motion the events of the play. It is spelled hebona in the Quartos and hebenon in the Folios. This is the only mention of hebona or hebenon in any of Shakespeare’s plays. Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial,
The best flower quotes take the beauty of these blooms and put them into words. Whether you need inspiration to get through a tough time or a reminder of nature's perseverance, we've got you covered.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Many of the sayings on this list pay homage to the show-stopping colors and scents of flowers, like these words from novelist and philosopher Iris Murdoch: "People from a planet without flowers ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.