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"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
The final (4th) movement of the symphony, commonly known as the Ode to Joy, features four vocal soloists and a chorus in the parallel key of D major. The text was adapted from the " An die Freude (Ode to Joy) ", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven.
"Ode to Joy" is the anthem of the Council of Europe (CoE) and the European Union (EU). In the context of the CoE, the anthem is used to represent all of Europe. In the context of the EU, the anthem is used to represent the union and its people. It is used on occasions such as Europe Day and formal events such as the signing of treaties.
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Ode_to_Joy_(Beethoven)&oldid=791377692"
Peace and joy advance in perfect concord, like the changing play of the waves. All that was harsh and hostile, has turned into sublime delight. When music's enchantment reigns, speaking of the sacred word, Magnificence takes form, The night and the tempest turns to light: Outer peace and inner bliss Reign o'er the fortunate ones. All art in the ...
"Program Notes of the Chicago Symphony Orchestra: Symphony No. 1 in C Minor, Op. 68" (PDF). Chicago Symphony Orchestra With the finale we come again to Beethoven...partly because Brahms's big allegro melody suggests...Beethoven's 'Ode to Joy". When the likeness was pointed out, Brahms simply said, 'Any ass can see that.'
Because of its use by "Rise, O Voices of Rhodesia", the "Ode to Joy" melody is controversial in Zimbabwe, where its annual playing at foreign embassies on Europe Day initially caused shock to Zimbabwean government officials who, according to historian Josephine Fisher, had not previously been aware of the song's use by the Council of Europe. [13]
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