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America Today is a mural comprising ten canvas panels, painted with egg tempera in 1930–1931 by the American painter Thomas Hart Benton.It provides a panorama of American life throughout the 1920s, based on Benton's extensive travels in the country.
An important influence that can be seen in the magazine is from the Dutch artist Theo Van Doesburg. He formulated in “Basis of the Concrete painting”, in Paris, April 1930. [5] Van Doesburg described concrete art by stating, "1) Art is universal. 2) The work of art must be conceived and entirely shaped by the spirit before its execution.
Concrete plant showing a concrete mixer being filled from ingredient silos Concrete mixing plant in Birmingham, Alabama, in 1936. Concrete production is the process of mixing together the various ingredients—water, aggregate, cement, and any additives—to produce concrete. Concrete production is time-sensitive.
They can be used on a wider variety of surfaces than cement render, including concrete, cement blocks, and AAC concrete paneling. These acrylic modified renders may still be too brittle and cannot be applied over substrates like fiber cement sheeting, as they will crack on the joints and can allow water to enter the sheet and cause delamination ...
The Grupo Madí was one of two prominent groups of artists pursuing abstract art in Argentina. The other was Arte Concreto-Invencíon, or AACI, founded in 1945. [5] The Madí art movement formed as a reaction to the AACI, whose art was perceived by the Madí group as being too strict in their method of creating concrete art, resulting in a lack of expression in their artworks.
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The term Concrete also began to be extended to other disciplines than painting, including sculpture, photography and poetry. Justification for this was theorized in South America in the 1959 Neo-Concrete Manifesto, written by a group of artists in Rio de Janeiro who included Lygia Clark, Hélio Oiticica and Lygia Pape. [19]