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The scene includes other plants and birds, including a magpie on the roof of the stable, temporarily silenced from its incessant chattering, [3] and a red-faced goldfinch, symbol of redemption or the passion, in a shrub to the left. [5] The work was previously displayed in a heavy gilded frame, with fluted pilasters and Corinthian capitals. [3]
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The canvas is divided into two parts. At the top, two angels on a platform of clouds and cherub heads observe the scene. Below, Mary and Joseph, accompanied by the ox and the donkey, barely visible, are in adoration before the Child Jesus, swaddled as he is described in the Gospel of Luke. In the background, a resplendent angel flies over the ...
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
The Mystical Nativity is a painting in oil on canvas executed c. 1500–1501 by the Italian Renaissance master Sandro Botticelli, in the National Gallery in London. [ 1 ] [ 2 ] It is his only signed work and has an unusual iconography for a painting of the Nativity .
4th-century sarcophagus, Milan; one of the earliest Nativity images. The earliest representations of the Nativity itself are very simple, just showing the infant, tightly wrapped, lying near the ground in a trough or wicker basket. The ox and ass are always present, even when Mary or any other human is not.
This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art. Here, "art" means the visual arts, not music or drama.
It depicts the nativity of Jesus, with saints Francis of Assisi and Lawrence, among other figures, surrounding Mary and the newborn Jesus. [3] [2] The painting is about 2.7 metres high and two metres wide. [4] On the night of 17–18 October 1969, [5] two thieves stole the painting from its home in the Oratory of Saint Lawrence in Palermo. [4]