Search results
Results from the WOW.Com Content Network
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...
Some of these dialogues employ Socrates as a character, but most simply employ the philosophical style similar to Plato while substituting a different character to lead the discussion. Boethius. Boethius' most famous book The Consolation of Philosophy is a Socratic dialogue in which Lady Philosophy interrogates Boethius. St. Augustine
Plato's dialogue Ion, in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant ...
The Charmides (/ ˈ k ɑːr m ɪ d iː z /; Ancient Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint." When the boy is unable to ...
Lysis (/ ˈ l aɪ s ɪ s /; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (), often translated as friendship, while the word's original content was of a much larger and more intimate bond. [1]
The book was published in 1926, with a revised second edition released in 1933. The work was preceded by a number of pamphlets in the Little Blue Books series of inexpensive worker education pamphlets. [1] [2] They proved so popular they were assembled into a single book and published in hardcover form by Simon & Schuster in 1926. [3]
In all probability, Socrates' claim is a literary device that Plato uses, as some of the events that will be mentioned in the speech happened after Aspasia’s death. [3] Menexenus is eager to listen but Socrates is reluctant at first, as he believes that Aspasia might become angry at him for publishing her speech.
Socrates compares the soul, in which the memories are recorded, to a book that contains true and false reports recorded by a writer and illustrated by a painter. The recordings in the memory along with the images trigger hopes and fears, pleasant and unpleasant feelings in the soul that views them.